In Andalousia (Spain), where the traditional musical landscape centres on
being the birth of a blooming flamenco as an exportable treasure, and with a
unknown group of composers of so-called “author music”, finally one of the
most personal composers hails from this land.
Javier Montijano uses his influences under his special charisma, as well as
a combination of interests that is solid and surprising for present times.

Montijano feeds his music both with the tribal and the popular, using all
sorts of Western, Eastern and African instruments, sowing it with the
sensibility of fantastic texts, some of which are committed to the Globe’s
maladjustments and mishaps, some of a more ludic, almost naïve nature, even
bordering on a latent spirituality.
Thus blossoms a proposal that is truly rhythmical and uncommonly rich,
worthy of being shared and cemented under the premise of sincerity that
overflows into pop charts, too enormous to be balanced just by the industry.

Eduardo Viñolo, journalist and musician